Getting Deep About a White Christmas Dance Number

Today I am going to tell you all about my favorite movie dance number ever, gush over the many reasons why I enjoy it so much, and then get all deep about what I think it says about gender roles. In case you are wondering: Yes, I do tend to extrapolate large points out of frivolous movies. I also understand that Rom-Coms are actually horrible places to find any sort of truth about male-female relationships. However, I am just using this dance as an example to illustrate a larger point because I think it does so well.

Another disclaimer: I am no expert in dance so I cannot speak to the technical merits of this number. I can only talk about what I get out of it. As I address this, I’ll talk about the actors themselves, not about their characters as I think some of the things I address are best addressed to them, not their characters.

I’m really looking forward to this.

So, without further ado, I present,  “The Best Things Happen While You’re Dancing” from White Christmas featuring Vera Ellen as Judy Hanes and Danny Kaye as Phil Davis.

Now that you have watched the clip.  Go and watch it again and again.  Really let it seep into your soul.

Long have I loved this dance number.  Perhaps what I love most is that the point of the song is played out in the choreography. You can express yourself and get to know someone through dance in a way that you cannot in any other way. It is a beautiful point that is only driven home all the more by the effect that this dance number has on Judy and Phil’s relationship throughout the rest of the movie. But what would this scene be without the beautiful dancing?

I have always fawned over Vera Ellen’s lightness and precision of movement in the number.  I have dreamed of such grace while wearing such a dress.  I have pined for the opportunity to shine so thoroughly, to express myself by doing the things I “would not do at home [but that would] come naturally on the floor.”  One day I will dance like that!

Recently, however, I noticed something different. I realized that I had only been watching half of this dance.  I realized that I had been totally ignoring Danny Kaye.

Admit it.  When you were watching this, you weren’t paying any attention to the guy were you?

After I had this realization, I immediately turned around and watched Kaye exclusively through the whole dance. If I did not love this dance number before, I am totally enraptured by it now.  Danny Kaye is so graceful, so suave. He looks entirely contented, as if all is right in his world. And his dancing is so smooth.

I think one of the great beauties of this number is that the dancers always show great restraint in their movement and, in that, they are really able to shine.  At parts it is as if they are savoring the moment.  At others, it is a frenzy of activity.  This is especially interesting with Kaye.  If you watch him throughout the movie, he is a high energy guy. Seeing this kind of restraint from him is marvelous and impressive. And how about their easy chemistry, though? It’s so perfect that no one in the movie ever doubts that they’re going to get married.  Except Bing Crosby’s character Bob.  He calls Phil a “Weirdsmobile” at the idea…because Bob’s a a bitter, lonesome old man.

The progression of the dance is also worth note. It starts off slow with Kaye singing and Ellen coyly following along to his lead.  As they move down to center stage, you can see the dance becoming more flowery.  Ellen has bigger, more complex movements.  At one point (my favorite point), Ellen drops into a beautiful deep dip in synchronization to the word “naturally,” as if to punctuate the point of the song.  As the song goes on, Ellen more frequently runs off to start her own bit, which Kaye will follow and synchronize with.

In the last part of the number, the part where they return to center stage after dancing on the bridge and boat, I really enjoy watching their faces.  You can tell that they are both high on the dancing.  Ellen is in a flurry of activity and Kaye is totally working it, enjoying every second.  By the way, did you see that she trips over his foot right at the very end?

While they are dancing, did you notice that Ellen is always acting towards the audience. Kaye, however, is always paying attention to her and he seems to be overjoyed to be a part of the experience.  I think this goes to show again that the woman is basically always the star of any couple’s dance and the guy’s role is to support that. If you watch, you can see he is always paying close attention so as to catch his next move or to anticipate her needs.

Okay, so here I’m going to pull a comparison about men and women’s relationships.  If you become uncomfortable or angry and preachy when people agree with traditional gender roles and use Bible verses to do it, then you might want to retreat to a corner of the internet that always agrees with you.

I’m Catholic.  Often, at Catholic weddings, the Bible verse about “Women, be subordinate to your husbands.  Husbands, love your wives as Christ loved the Church and laid Himself down for her” comes up.  When I watch Danny Kaye dancing with Vera Ellen here, I cannot help but be reminded of this Bible verse.  According to this Bible verse, men have to be willing to support women and appreciate their God given beauty, even if it means dying to themselves.  Kaye doesn’t really get a lot of attention in this dance.  He’s doing a stellar job, but he's not really the star.  Ellen is.  His role in the dance is supporting her elaborate and elegant moves.

Ellen, on the other hand, is not enslaved by Kaye’s lead.  On the contrary, she works within his parameters and shines all the more brightly because of it.  If she had decided to preempt his lead to dip her, she might have wound up on the floor in an undignified heap.  If she was too good to be helped by him, she would have had a slow and ungraceful time of getting off that boat.  However, because she is willing to work with him, we get a ridiculously graceful and fluid product.

Think I’m full of it? What do they say right after they finish? Ellen: “I guess I got carried away.” Kaye: “And she carried me right along with her.”

Yeah, guys, leave it to me to draw a deep point about human relationships out of an Irving Berlin dance number.